The result is a structured font that feels slightly hand done, as Colophon implemented an unusual stroke contrast into the design. Thick and thin strokes are switched around (contrary to convention), and the resulting contemporary, curved endings to the letters feel joyous – like smiles. Set of alternates (swashes, curvy letterforms) that enables to control the amount of expressiveness of the typeface lends itself to a typography that is gestural and warm, kind of like a Milton Glaser poster telling you to have a nice day. Kind of like something you might see in a 1970s Japanese Donut Shop.